The International Guild of Musicians in Dance
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Archive of the Journal of the International Guild of Musicians in Dance

Table of Contents for All Volumes
Year  VOLUME Title Author Page
  VOLUME 1
  
1991 Volume 1 Editor's Notes Beth Mehocic1
1991 Volume 1 Meet the Composer's Composer/Choreographer Project Katherine Teck 2
1991 Volume 1 A Collaborative Process Larry Attaway 17
1991 Volume 1 Musicians in Dance, The Struggle for Legitimacy in Academia William Moulton24
1991 Volume 1 Music and Dance, The Continuing Relationship Robert Kaplan33
1991 Volume 1 Making Sense Of the Dance-Music Partnership: 
A Paradigm for Choreomusical Analysis
Paul Hodgins38
1991 Volume 1 Improving Music In Modern Dance Technique Class Robert Benford42
   VOLUME 2  
1992 Volume 2 Editor's Notes Beth Mehocici
1992 Volume 2 The Evolution of Martha Graham's Collaborations with 
Composers of Music for the Modern Dance
John Toenjes1
1992 Volume 2 Dancers, Musicians, and Jaques-Dalcrose Eurhythmics Monica Dale Johnson 11
1992 Volume 2 A Singular Impulse: Musician and Dancer as One Performer Michael Seaver 19
1992 Volume 2 Craft and Inspiration: Opening Intuitive Channels in Improvisation William Moulton 23
1992 Volume 2 To Splice Or Not to Splice Thomas Bourcier 31
1992 Volume 2 How Copyright Law Affects Musicians in Dance Katherine Teck33
1992 Volume 2 Report On the music Resource Center Ray Brooks 43
1992 Volume 2 Master of Music in Dance Accompanying at Shenandoah University Karen Follett 47
1992 Volume 2 New Music - New Dance Festival 1992, Dublin, Ireland Michael Seaver 51
1992 Volume 2 Ohio Ballet at the Madison Civic Center, Madison, WI Joseph Koykkar 53
   VOLUME 3  
1994 Volume 3 Editor's Notes Larry Attaway i
1994 Volume 3 Audience Appeal Beth Mehocic1
1994 Volume 3 Apollon Musagete: Gradus ad Parnassum Nancy MacLachlan2
1994 Volume 3 Collaboration Beth Mehocic11
1994 Volume 3 An Approach Towards the Effective Use of Music for Choreography David Karagianis 12
1994 Volume 3 Jazzed Beth Mehocic 17
1994 Volume 3 The Way Things Used to Be: Maurine Dewsnup, 
First Accompanist for Dance at the University of Utah
Katherine Teck 18
1994 Volume 3 Musicians of the Movement: The "Composer-Accompanist" 
in the Formative Years of Modern Dance
John Toenjes24
1994 Volume 3 The Dancer Beth Mehocic 40
1994 Volume 3 The Authors (Bios)   41
  VOLUME 4  
1995 Volume 4 Editor's Thoughts Larry Attaway  i
1995 Volume 4 An Interview with John Colman Saul Spangenberg 1
1995 Volume 4 Music For High School Dancers Tom Kanthak 11
1995 Volume 4 A Study Of Rhythm Tapper Baby Laurence As "Jazz Tap Percussionist." Natalie Gilbert 15
1995 Volume 4 National Conference On Piano Pedagogy Keynote Address JohnSteinmetz 25
1995 Volume 4 Using Technology In A Class Project on Multiculturalism Ray Brooks 29
1995 Volume 4 Experiential Listening Joseph Tornabene 31
1995 Volume 4 In Search Of…Bronte Etudes: One Perspective on Composing for Modern Ballet Bruce Lazarus 34
1995 Volume 4 To Comply…Or Not to Comply David Karagianis 37
1995 Volume 4 Reflections Sarah Malament Gurfield 41
1995 Volume 4 The Authors (Bios)   42
  VOLUME 5  
1996 Volume 5 Editor's Thoughts Larry Attaway  i
1996 Volume 5 Guest Artists at Iowa: A Collaboration Suzanne Knosp 1
1996 Volume 5 Why the Tarantella? Marcello Cofini 6
1996 Volume 5 Impressions of "Thirty-Two Short Films About Glenn Gould." Tom Kanthak 11
1996 Volume 5 The Importance of Improvisation in the Music Curriculum Natalie Gilbert 17
1996 Volume 5 Creating Dance Breaks for Music Theatre Sue Stamper 28
1996 Volume 5 Two Interviews: Two Musicians in Dance - Reed Hansen and Greg Presley Greg Presley 30
1996 Volume 5 The Authors (Bios)   38
  VOLUME 6  
2000 Volume 6 Editor's Notes Larry Attaway  i
2000 Volume 6 The Dance Musicians Research Project Tom Kanthak and R.J. David Frego 1
2000 Volume 6 Sound Thinking David Karagianis 11
2000 Volume 6 16 Ways to Explore Meter and Rhythm in Sound and Movement Robert Benford 16
2000 Volume 6 Performance Anxiety! David Karagianis 20
2000 Volume 6 Improvisation: A Cyber Chat (compiled and edited by Larry Attaway)   22
2000 Volume 6 Compositions for Technique Class- Plies Joseph Ditta 44
2000 Volume 6 Compositions for Technique Class- Plies T. Zagortseva 47
2000 Volume 6 Compositions for Technique Class- Adagio Larry Attaway 50
2000 Volume 6 Compositions for Technique Class- Adagio Ken Brooks 53
2000 Volume 6 Compositions for Technique Class- Plies Ray Brooks 56
2000 Volume 6 Compositions for Technique Class- Plies Suzanne Knosp 58
2000 Volume 6 Compositions for Technique Class- Reflection Waltz Stephen Rush 60
2000 Volume 6 About the Composers   63
  VOLUME 7  
2007 Volume 7 New Directions William Moulton 1
2007 Volume 7 A Survivor’s Guide for Musicians in Dance Stephen Rush 2
2007 Volume 7 A Movement-Pattern Approach to Musical Organization Andrew Warshaw 7
2007 Volume 7 Il ballo delle ingrate: A Lost Genre Whose Time Has Come? Andy Teirstein 19
2007 Volume 7 Using Interactive Computer Applications to Integrate the Arts and the Artists in Music and Dance John Toenjes 26
2007 Volume 7 Using a Laptop as an Instrument in a Dance Technique Class Robert Kaplan 31
2007 Volume 7 Four Decades of Electronics in Class Jon Scoville 38
2007 Volume 7 Reasoning with the DrumKAT: Electronic Percussion in the Dance Class Neil Dunn 41
2007 Volume 7 Beat keeping, sound alteration, and improvisational liberty through music technology Keith Fleming 48
2007 Volume 7 On Dance Class Accompaniment with the Computer Chris Peck 57
2007 Volume 7 CD Track Listing   61


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